Titian
Italian High Renaissance Painter, ca.1485-1576 Italian painter active in Venice. As a young man he was taught by the Bellini family and worked closely with Giorgione. His early works are so similar in style to Giorgione's as to be indistinguishable, but soon after Giorgione's early death Titian established himself as the leading painter of the Republic of Venice. Among his most important religious paintings is the revolutionary and monumental Assumption (1516 ?C 18) for Santa Maria dei Frari, in which the Virgin ascends to heaven in a blaze of colour accompanied by a semicircle of angels. Titian was also interested in mythological themes, and his many depictions of Venus display his work's sheer beauty and inherent eroticism. Bacchus and Ariadne (1520 ?C 23), with its pagan abandon, is one of the greatest works of Renaissance art. Titian was sought after for his psychologically penetrating portraits, which include portrayals of leading Italian aristocrats, religious figures, and Emperor Charles V. He reached the height of his powers in The Rape of Europa (c. 1559 ?C 62), one of several paintings done for Philip II of Spain. He was recognized as supremely gifted in his lifetime, and his reputation has never declined.
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Titian Martyrdom of Saint Lawrence oil painting


Martyrdom of Saint Lawrence
1558 Type oil on canvas Dimensions 493 cm x 277 cm (194 in x 109 in) cyf
Painting ID::  94775 		Titian
Martyrdom of Saint Lawrence
1558 Type oil on canvas Dimensions 493 cm x 277 cm (194 in x 109 in) cyf
   
   
     
Titian St Margaret and the Dragon oil painting


St Margaret and the Dragon
circa 1559(1559) Medium painting cyf
Painting ID::  94777 		Titian
St Margaret and the Dragon
circa 1559(1559) Medium painting cyf
   
   
     
Titian Penitent Magdalene oil painting


Penitent Magdalene
1565 Type oil on canvas Dimensions 119 cm x 98 cm (47 in x 39 in) cyf
Painting ID::  94781 		Titian
Penitent Magdalene
1565 Type oil on canvas Dimensions 119 cm x 98 cm (47 in x 39 in) cyf
   
   
     
Titian The Virgin and Child with the Infant Saint John and a Female Saint or Donor oil painting


The Virgin and Child with the Infant Saint John and a Female Saint or Donor
oil on canvas Dimensions Height: 100.6 cm (39.6 in). Width: 142.2 cm (56 in). cyf
Painting ID::  95753 		Titian
The Virgin and Child with the Infant Saint John and a Female Saint or Donor
oil on canvas Dimensions Height: 100.6 cm (39.6 in). Width: 142.2 cm (56 in). cyf
   
   
     
Titian Madonna in Glory with the Christ Child and Sts Francis and Alvise with the Donor oil painting


Madonna in Glory with the Christ Child and Sts Francis and Alvise with the Donor
1520(1520) Medium oil on canvas cyf
Painting ID::  95754 		Titian
Madonna in Glory with the Christ Child and Sts Francis and Alvise with the Donor
1520(1520) Medium oil on canvas cyf
   
   
     
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     Titian
     Italian High Renaissance Painter, ca.1485-1576 Italian painter active in Venice. As a young man he was taught by the Bellini family and worked closely with Giorgione. His early works are so similar in style to Giorgione's as to be indistinguishable, but soon after Giorgione's early death Titian established himself as the leading painter of the Republic of Venice. Among his most important religious paintings is the revolutionary and monumental Assumption (1516 ?C 18) for Santa Maria dei Frari, in which the Virgin ascends to heaven in a blaze of colour accompanied by a semicircle of angels. Titian was also interested in mythological themes, and his many depictions of Venus display his work's sheer beauty and inherent eroticism. Bacchus and Ariadne (1520 ?C 23), with its pagan abandon, is one of the greatest works of Renaissance art. Titian was sought after for his psychologically penetrating portraits, which include portrayals of leading Italian aristocrats, religious figures, and Emperor Charles V. He reached the height of his powers in The Rape of Europa (c. 1559 ?C 62), one of several paintings done for Philip II of Spain. He was recognized as supremely gifted in his lifetime, and his reputation has never declined.

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